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Some movies explore friendship from unusual angles, some depict what we experience everyday. “I am wishing that there are books where we talk about what women have done.Friendship has been an engrossing theme for Bollywood with several movies being dedicated to this special bond.
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“I can’t wait to pick up a history book that isn’t just full of what men have done,” he said. In the meantime, Kumar said that he was proud that India was recognizing female scientists and that he hoped the Mars mission and Chandrayaan-2 would inspire more girls to dream of entering professions that have been historically dominated by men. Still the actor noted that he can make a difference with the stories he chooses - “I will keep trying my level best” - and that commercial success would follow as minds changed. But something like ‘Pad Man’ or ‘Toilet’ is lower.’” “If I make a commercial film like ‘Singh Is Kinng’ or ‘Rowdy Rathore,’” both blockbusters, the box office response “is high. Kumar acknowledged that changing the mind-set of Bollywood executives was difficult and that relatability, once routinely cited in Hollywood as a reason not to greenlight women-led films, remained an issue in the Indian industry. Access to hygienic protection (like sanitary pads and tampons) affects millions of Indian women and, in addition to a lack of toilets, keeps hundreds of thousands of girls out of school every month. In both films, women were the catalyst for social change, with pointed messages for the audience. He noted that “Pad Man” sought to break the taboo around menstruation and sanitary pads, and “Toilet - Ek Prem Katha” tackled sanitary toilet facilities. Kumar, the rare Bollywood actor to pay attention to the social conscience of India’s younger generation, said he was trying to make movies with a message more commercially successful. Since then, other female-centric films in India have had a mixed track record: “English Vinglish” in 2012 and “Queen” in 2014 scored middling successes at the box office, while 2018’s “Veere Di Wedding” did not. “The Dirty Picture” was the fourth highest-grossing film in India in 2011 “Kahaani” made far less, but it was still a hit by Bollywood standards. “But I hope someday there’s no need for differentiation of female-centric or hero-driven film, and that people will just go and see a film.”Īs stories of empowered women become more commercially viable, that change will take place on its own, Balan said. “We’ve come a long way from where we were 10 years ago when I started doing female-centric films,” she added. “This was a story I found to be amazing.” “It started from there: how ISRO, in 15 months, got a whole mission ready and did it with only $73 million,” he said in an interview. It depicted an “Elite Space Club” of nations that had reached space, and a man representing India standing outside the door with a cow.
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15 (India’s independence day), was spurred to put the story onscreen after he saw a cartoon published by The Times. MOM, as it was known, cost just $73 million by comparison NASA’s Maven mission to Mars spent $671 million that same year.Īkshay Kumar, one of the Indian film industry’s best-known actors and a star of the new drama “Mission Mangal,” opening Aug. In 2014, the Indian Space Research Organization successfully pulled off the Mars Orbiter Mission, outdoing the Americans, Soviets and Europeans by reaching the planet on its first try - on a shoestring budget, to boot. But just as that project raised the profile of women working on it, the new movie is furthering the discussion of why Bollywood makes so few female-centric stories - especially ones that aren’t shepherded by male stars. Weeks after India launched its first mission to the moon, its film industry is launching a tale based on the country’s 2014 mission to Mars.